About me
I'm Maya. I've been photographing weddings full-time since 2019, and before that I spent six years shooting for a news wire, which is where I learned to be invisible in a room and to get the frame in the half-second it exists.
That background is the whole reason my weddings look the way they do. I'm not going to arrange your family into a pyramid for forty minutes. I'm going to stand near the bar during cocktail hour and catch your best friend telling a story with both hands. I'm going to be at the back of the ceremony with a long lens so your grandmother doesn't notice me at all.
What I do ask for is one thing: twenty minutes, once, on your own. After the ceremony, before dinner, I take the two of you somewhere quiet — a side street, a loading dock, the parking lot with good light — and we make the handful of portraits your parents will frame. Twenty minutes, and then I disappear again.
I work in a mix of digital and 35mm film. The film is slow and imperfect and it's the reason my galleries don't look like everyone else's. I deliver around 600–800 finished images for a full wedding day, hand-culled, hand-edited, no batch presets.
How I work
- Documentary first. I follow the day, I don't direct it. The only posed photographs in your gallery will be the ones we agreed on in advance.
- Two cameras, one photographer. I shoot alone by default — a second shooter is available for larger weddings, and I'll tell you honestly if I think you need one.
- I know the venues. I've worked most of the Toronto venues you're probably considering, plus a long list in Prince Edward County and Muskoka. I'll tell you where the good light is at 6pm in October.
- You get the files. Full-resolution, print-ready, no watermark, no "buy the album to unlock your photos" nonsense. Ever.
— Maya